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ABOUT THE PROBLEMS OF PERCEPTION OF FRANCOIS RABELAIS AND VENEDIKT EROFEEV CREATIVITY AT THE PRESENT STAGE. PHILOSOPHICAL SUBJECT OF THE TRAVEL IN THE WORKS «MOSCOW-PETUSHKI» AND «GARGANTUA AND OF PANTAGRUEL»
Probin Pavel Sergeevich
Academy of Social Management
PhD Econ., associate professor, associate professor of the service department
Academy of Social Management
PhD Econ., associate professor, associate professor of the service department
Abstract
In this article is carried out the comparative analysis of Venedikt Erofeyev and Francois Rabelais creativity on the example of the works «Moscow — Petushki» and «Gargantua and Pantagruell». In the course of the conducted research special attention is paid to specifics of humanity ideas development in each of authors creativity as in a direct binding to a certain historical period, and without that. An attempt to reveal philosophical sense of a travel in each of these works is made.
Keywords: compassion, France, humanity, love, Renaissance, satire, Soviet Union
Category: Literature
Article reference:
About the problems of perception of Francois Rabelais and Venedikt Erofeev creativity at the present stage. Philosophical subject of the travel in the works «Moscow-Petushki» and «Gargantua and of Pantagruel» // Humanities scientific researches. 2017. № 3 [Electronic journal]. URL: https://human.snauka.ru/en/2017/03/22175
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