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THE DUALITY OF REALITY IN THE FILM BY ANDREI TARKOVSKY’S “NOSTALGIA”
Saveleva Ekaterina Andreevna
Pushkin Leningrad State University
graduate student of Cultural and Arts
Pushkin Leningrad State University
graduate student of Cultural and Arts
Abstract
The paper deals with two creative aspects of Andrei Tarkovsky, a filmmaker and photographer. For the most part, known as the director Tarkovsky fond and photography, as evidenced by the recently published Polaroids wizard. A comparison of pictures and frames of the film "Nostalgia" talk about the relationship and the full value of each other, which on the one hand give birth cinematic reality, on the other - a photographic.
Keywords: "Ностальгия"
Category: Art
Article reference:
The duality of reality in the film by Andrei Tarkovsky's "Nostalgia" // Humanities scientific researches. 2016. № 9 [Electronic journal]. URL: https://human.snauka.ru/en/2016/09/16617
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